A World of Art Essay Example | Topics and Well Written Essays - 1250 words - 1

A World of Art - try on ExampleThe some other the triangle between Mary and Jesus represents the cup of the last grail. Look come on the windows, one can see the demesne side which is not congruent with the subject matter. He uses the technique of Chiaroscuro. It is dark in the room and bright outside. It is interesting to note that he used the same country side in his Mona Lisa painting which he completed in 1503. The colors used are jet-propelled plane and orange(brown). There is symmetry with the large rolls on the table. Important paintings Perspectival postulate of the Adoration of the Magi (Art Authority) Pen and ink, traces of silver lay and white on paper. Fascinating to see his study in perspective of grain, the use of Chiaroscuro, the use of sienna to immortalise white, the three dimensional by the fact that we can see the thickness of the stairs and the pillars. the lines showing how everything is do in thoroughgoing(a) mathematical dimensions then The Adoration of the Magi (Art Authority) oil on panel. The oil thing which remain from the perspective is the stairs and the pillars but they are quite distant. It was as though he used the study to do several painting. The texture is very primitive for a Leonardo da Vinci. The trees are twain dimensional and Mary is in one color. Perhaps it is a question of aging. The people are one-half real. Titian, The Assumption of the Virgin Oil on wood. A perfect study in vertical sensing there is an incredible sense of movement, towards the heavens. In analyzing the lines, there are the two triangles with two parallel lines. The texture of the fluffiness of the clouds but to a fault the heaviness the angles have of carrying Mary Profane Love a perfect contract between the Assumption and this perfect technique of Chiaroscuro. There is the light shining on her appear and her hand. She is also looking at someone but we do not see him either. There is also the mirror which shows you something that the p erson in the painting doesnt see. This is a technique which began with Leonardo da Vinci. The texture of her garments is magnificence Van Gogh, Starry Night oil on canvas. It is not polychromatic though he does use a great deal of blue. He avoided using red. He uses hatching in the new-fangled sense of the word. His brush makes short rapid strokes of the same color. The texture has very little dimension to it other than a little bit of the town. I would not call it two dimensional. Road with Pollarded Willows and A creation with a Broom (Art Authority) is from carbon, ink, and watercolor on paper. His texture is three dimensional. You can see the end of the bridle-path but you see the beginning of the impressionist school as the road slightly bends to the right. As he advanced in his training, he mixed different techniques each time of pencil and ink, or pencil, ink and water color to cite an example. He showed his being influenced from different schools. He painted 37 self por traits. It is documents that none of them look directly at the viewer but the Self Portrait 1887 looks square on. His self portrait in the straw hat looks like a modern version of hatching. Jasper Johns, numbers in Color uses the technique of dotn and polychromatic. He called his paintings of clusters crosshatchings (Johns) Grey numbers (Art Authority) is the same technique of patter without color Andrea Mantegna, The Lamentation over The Dead Christ 1494 tempera on canvas. The texture is three dimensional. He uses lines in one angle to gain depth to take away from the size of his feet. There is